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INDIA
DANCES |
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In
a variety of ways. On stage, in the streets, at weddings, for funerals,
fun or fashion. It has |
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always
danced through the 5000 years of its long and often colorful history .While
its villagers |
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sway
to the rhythms provided by nature - at harvest or sowing seasons - its urban
folks dance |
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too to the beat of disco, pop or rock music. What makes it tick? |
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For
centuries, the temples were the preserve and the epi-center of all social
activity. The |
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temples
were patronized by local rulers or important kings and looked after by them.
In |
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addition
to the priests, a special class of dancers called the deva (god) dasi (servant)
were |
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dedicated
to the temples. These were women of great learning, scholarship and grooming. |
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With
the coming and subsequent domination by colonial powers (16th-20th century),
patronage |
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to
the temples declined and most art forms suffered a slow death. Not exposed
to higher |
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learning,
these foreigners dubbed all dance as Nautch, a derogatory term
often associated with |
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prostitution.
Overnight, these elegant women of great learning
were reduced to Nautch-girls. |
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True,
the long colonial rule had been preceded by a longer Muslim
or |
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Mughal
rule but that did not alter the indigenous arts.
At best it led |
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to
a fusion as manifested in architecture, painting,
and dance forms |
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like
Kathak, which partook of court
culture. Most kings encouraged |
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poets,
artists, musicians and
dancers in their courts. Why, one |
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Muslim
king, the Nawab of
Oudh (present day Lucknow) Wajid Ali |
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Shah,
went so far as to
compose poems in honor of the blue-god |
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Krishna,
and often dressed
up and danced as one in his court. This |
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was
reason enough
and good excuse for General Outram to dismiss |
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him and
annex his kingdom! Satyajit Ray, the great film-maker has |
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immortalised
this story in his classic The Chess Players |
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home |
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prologue |
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(Shatranj
Ke Khilari). |
welcome |
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contents |
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It
must be something in the Indian nature to survive and be resilient! Despite
all the |
subject
moderators |
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invasions,
onslaughts and upheavals, classical dance-forms survived and within a short |
history |
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span,
got revived to its pristine glory. Folk dancers danced all along anyway
without |
sexuality |
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much
interruption as their dance was not dependent on patronage, royal or colonial. |
social
landscapes |
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art |
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dance |
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literature
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music |
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cinema |
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environment |
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economics |
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pot pourri |
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feedback |
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In
the fifty years since independence, lots has happened in the world of Indian
dance. The first |
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two
decades saw the revival and resurrection of various forms like Orissi and
Mohinattam.
The |
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next
two decades saw its platforming like never before and the last two
have seen it flowering |
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and
branching off to interesting arenas and allied arts. Indian dance
has caught the imagination |
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of
not only the nation but the world. It is indeed amazing
that dance forms lost to
an alien |
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rule
now rule world cultures! Madonna and Michael
Jackson use it in their songs, composers |
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and
choreographers create works based
on it. From confusion to fusion and from
nothingness |
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to
everything The Story of Indian
Dance is as deep as it is deafening. |
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Who
were these people who helped revive Indian dance forms? What is classical,
ritual, tribal, |
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folk,
martial and modern dance? Who were the stars and who the victims? Who were
the |
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pioneers?
What did they create and how? Where do they stand today? What is contemporary
in |
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a
tradition 2000 years old? |
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All
these and more will be platformed here on these pages for you to savor,
see and discuss. |
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India
has always danced, continues to dance and will dance. Join in. Let our dance
begin! |
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Love,
Ashish |
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Background
Readings |
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TOP |
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